Tag Archives: Social Media

Africa media Simon Cumbers travel video

Karibu Kibera

 

Before going any further, the word Karibu means ‘welcome’ in Kiswahili, and it’s one you’re likely to hear on a regular basis here.

This post issues after a flying visit to Nairobi, where I arrived on Friday after a long journey from Dublin with delays at both ends. In Amsterdam our engines wouldn’t start. In Nairobi, the visa queue moved with all the urgency of cold honey. Thereafter, things picked up pace. Less than twelve hours after stepping off the plane, I was in Kibera meeting with the Kibera News Network team. KNN film news in Kibera as it happens, videoing the footage on small Flip cameras and uploading their edited clips to Youtube. They’re often the first on the scene, and get some great interviews from major events that would otherwise go unnoticed. They deserve more attention than they get.

The KNN team came to my attention through Map Kibera, one of the projects I’ll be examining in detail as part of a project funded by a Simon Cumbers Grant. ‘What you measure, you’re more likely to improve’, an athlete once told me. Map Kibera has helped civilian teams measure every inch of the Kibera slum, mapping resources, sanitation facilities, black spots for crime and everything in between, quite literally putting Kibera on the map. Go to Google Maps, and Kibera’s a blank, just as it is on Kenyan government maps. It is a vast nebula of humanity, hunkered under a wavy canopy of rusting tin rooves and a hum of commerce, music and motorized mayhem. Nebulous things are hard to map, or so the excuses run.

We spent yesterday talking to several Kiberan residents about some aspects of their lives in the city. I passed on what little filming and photographic skills I had to help them with their interviews, and together we set about putting together some material for an upcoming project of theirs. I also introduced them to two Kodak zi8 cameras donated by the good folks at Storyful, which they’ll add to their arsenal.

There was a group of eleven of us tramping around Kibera at times, so I won’t name everyone, but the KNN team was hugely hospitable. They were fun, welcoming, and rightly proud of their home town and the people within it.

Kibera, for its troubles, fulfils many of the slum sterotypes. The houses are small, dark and close together. The roads are muddy. The sewers run as trenches in the middle of alleyways, shallow and fast in some spots, deep and fetid in others. It’s not a nice way to live at times, and the KNN guys, all Kibera residents, acknowledged the problems their home faces. Their whole raison d’etre is to draw attention to the highs and lows of Kibera life in the hope that the good stuff will be recognised and the bad stuff rectified.

Highlight of the day was meeting a man called Mike Aziz. Mike was a KNN interviewee in a story produced by Joshua on a fire in the area. I recognised Mike and we bumped into him at one point when the KNN guys were filming some material on that topic. He was gobsmacked (as were the KNN crew) that I knew his face from an online video, and we interviewed him in English for the piece.

On to Mombasa, where I’m currently visiting Komaza, a sustainable forestry NGO based in Kilifi. I visited Kilifi in 2003, and plenty has changed. More on that, Map Kibera and the rest a little later.

Editors/producers interested in contacting Markham for material from Kenya & Tanzania, please email Markham (dot) Nolan (at) gmail (dot) com or call +254-732-580-147.

film media

Blind Man Walking

Just a very short note to mention a documentary showing at the IFI this Sunday. Blind Man Walking features Mark Pollock (pictured), the blind adventurer that just won’t quit. I met Mark while doing a feature on him ahead of his race to the South Pole, in which he became the first blind man to reach the bottom of the world on foot. He had previously run several ultra-marathons including the Everest Marathon, the Gobi March and other unmentionably long endurance races. Blizzards and white-out conditions meant little to him because he couldn’t see anyway, he said.

We hit it off, and after he got back, and I’d shifted a business, we started working together on some things including sponsorship pitches, his website, revamping the copy and figuring out the best way for Mark to begin using social media to further his business, despite his blindness. Like everything, he took to it like the proverbial duck, and was tweeting away no end once he got his mitts on an iPhone. Himself and Mick Liddy, with whom he did the Round Ireland yacht race earlier this year, videoblogged their race and the prep for as long as they had battery, all of which is stashed on the team’s facebook page, here.

The documentary will be screened without Mark being present, however, due to a fall he sustained not long after finishing the Round Ireland. Mark’s currently battling away in physio in the UK with his usual can-do outer skin on, just taking every day as it comes, surmounting challenges as they appear. It’s in his nature.

The doco was shot by Ross Whitaker, an award-winning Irish filmmaker and a good friend of Mark’s, and he’ll be doing a Q&A session after the event, which should be interesting. Mark has a capability to talk and talk and talk without any noticeable pause, which makes editing film of him in flow a real challenge. When I made a short intro film for their Round Ireland challenge (below the fold) I had to tell Mark to shut up and stick to the script. Repeatedly. I needed short, snappy, editable soundbites, not ineresting but meandering philosopical observations. That, apparently, was the style that Ross encouraged when Mark was doing diary pieces for the documentary. But they had an hour to fill. I had four minutes.

I watched Mark as he took on the challenge of the Round Ireland, dealing, in a very short timeframe, with the multiple challenges of sponsorship, equipment, and the little challenge of learning to sail from scratch. All the while, he was self-analyzing and seeking out any tiny opportunity for personal growth, and relating fresh obstacles to ones he’d conquered in the past. It was an impressive show, and a small challenge in comparison to walking to the South Pole. And no doubt, rendered in glossy imagery on a big screen, Blind Man Walking will bring all that to life.

Go BOOK IT.

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blogging internet podcast

Ear Ear – using the iPhone blind

Over on the Afloat.ie site, I’ve been trying to step things up with multimedia contributions, and yesterday marked a turning point with my podcasts taking a turn for higher quality – some nicer intro sounds, a better microphone connection, and a bit more thought going into how the sections of audio match up (click to hear).

[audio:http://expad.ie/wp-content/uploads/2010/04/AfloatYouthNats.mp3]

This links in with my experiments with the micro-blogging service posterous, I’ve been helping motivational speaker and all-round impressive bloke Mark Pollock begin to experiment with podcasting through our ongoing relationship as he prepares for the Round Ireland race. Posterous has been handy for Mark, as it enables him to update his Facebook, Twitter and Blog all in one go via a simple email without having to navigate all those sites individually, a laborious process when you’re using an audio system to ‘read’ the pages for you.

With Mark, who’s blind, podcasting also makes a lot of practical sense. Up to now, he could record audio memos on his phone, email them via posterous, and they’d be automatically posted onwards. It took a bit of tweaking to have them sit into the WordPress blog, but otherwise it’s worked fine.

Yesterday things took a step further. Mark now has an audio-enabled iPhone.

I thought he was mad abandoning a phone with tactile keys for a touchscreen with only visual references. But it works really well. Click through to read more.

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On Social Media in Ireland

Having taken a step back from blogging and all that ‘meta jazz’ for a while, I’ve had a good long think about the Social Media Guru (SMG) vid I put together in September, and what motivated me to be so cynical. The video is the only web ‘thing’ I’ve ever really created, it has generated 143,000 hits and counting. That’s unexpectedly large given what it was (ten times the hits of the much-vaunted DJ Hip Op vid), yet infinitely small in Youtube terms (20 million people have watched this surprised kitten video).

It sparked some pointed animosity from American SMGs, already sick of being mocked, despite the video being aimed squarely at their clients, whose gullibility and laziness of mind is the root of the real issue. One full-on viral case study was done on its global spread, which was very interesting indeed.  The video was met largely with a wall of silence by those in the sector in Ireland, in comparison which is unsurprising due to the small marketplace here.

I’m not a guru or a techie, I’m not selling any guru-like services (at present), but I have helped friends get started in the sphere and written copy for plenty of websites. I’m also a chronic lurker. read more »

Africa Aid/Development blogging ireland Irish Journos media

Crisis of Correspondence

ToeThere’s a great opportunity up for grabs for one lucky third level student at the moment, with three weeks remaining for entries. The winner will get the chance to visit Uganda and become a temporary ‘Crisis Correspondent’, visiting projects run by Goal and Concern in the unstable north of the country.

The project is run by ECHO (The European Commission’s Humanitarian Aid Organisation), jointly with partners Goal and Concern, and Carr Communications. The prize is, frankly, a fantastic chance for someone who’s got their head screwed on to steal a march in this area of reporting, which lacks committed souls who understand the problems deeply enough to avoid the typical cliches that come with humanitarian crisis reporting.

Humanitarian crisis reporting is an area that suffers hugely from parachutism. Reporters drop in by plane as a crisis heats up, be it a burgeoning famine or escalating situation of internal displacement for one or other reason. They immediately start counting corpses or, among the living, visible ribs on walking skeletons. The attention a crisis receives peaks and dissipates rapidly, with all but the most scant of attention often paid to the underlying causes. Often, through no fault of their own, journalists are dispatched with a handful of clippings and some flimsy background information on the country into which they are about to be immersed.

Often, what ensues is a frustrating dance between NGOs and journalists on the ground, as the two groups butt heads over sensitive topics. Journalists want access, stats and something splashy. NGOs have their own agenda. Immediacy becomes the name of the game, and it’s the symptoms that get all the coverage, while the root cause goes unchecked.

I know a thing or two about this for a few reasons. One is that I spent a summer looking into humanitarian crisis reporting in Ireland for a thesis, during which I interviewed numerous high-profile journos and media gatekeepers about the problems associated with covering crises. (I compared Ethiopia in 1984 with the Rwandan genocide, and added commentary on the then developing Niger food crisis for good measure).  Another reason is that I spent a year before that studying Aid & Development for a postgrad in what was then UCD’s Centre for Development Studies.

The third reason is that the year after I finished my thesis, I applied for a similar programme to the current Crisis Correspondent which Concern were running. I felt that all the planets were aligned – it seemed to match all my areas of interest and the interview went well, but ultimately I didn’t get it. Up for grabs was an opportunity to visit Concern programmes in East Africa. I spoke to one of the panel after the interview, and was told that it was felt that I posed a threat as I was too curious, too independent. If something went wrong, they guessed, I was not likely to quietly brush it under the specified carpet. In reality, what they were looking for was not a journalist, but a PR intern or multimedia producer, someone who would provide good news stories only and not look too deep.

The recipient of the award that year was another member of my MA class, a top-class journalist who now works for a major national news organisation. I learned from them that there was some wrangling during the course of the trip about what could and could not be covered. The recipient wasn’t entirely comfortable with how it all worked out, but came away with some worthwhile pieces of work nonetheless. The competition was much lower-key than this year’s edition, it must be said, and the candidate was expected to place their work on their own, with no help from the likes of Carr Communications or Morning Ireland.

NGOs need their good stories to be put out there, but equally suffer from suspicion on the part of the public as to how funds and donations are spent and just how efficiently that money is put to use. Fungibility and inefficiencies will always exist in African projects to some extent despite best efforts, and the public often fails to understand this. An example of the suspicion we feel is the latent animosity towards commission-earning chuggers, the most public and abrasive faces of the NGO world. Being seen to hide anything, or try to cover it up, can only lead to further suspicion.

That Concern and Goal are getting together with Carr, who have a mass of media experience, and putting a professional veneer on this kind of initiative is a massive step towards getting better quality coverage for aid & development stories, of which there is a huge abundance. But if you’re a candidate reading this, hoping to be called for interview, my two cents is to play up your creative side, and play down your investigative side. They’re paying for your plane ticket, so it’s unlikely they’ll want someone who’s likely to go opening their closets, looking for those damn skeletons.

Post-script

If I had a euro for every time someone watched my social media guru video…I’d have around €20,000 by lunchtime today. Which would be nice.

Last Thursday I spent 30 minutes writing a script and building a little animation around it using a site called xtranormal.com. The vid took a swipe at the self-proclaimed social media gurus that cling to the internet’s bottom rung. As I’ve said elsewhere, there are plenty of good people offering help to individuals and companies when it comes to their online presence. But for every one of those, there are five socmed hyenas lurking in the shadows. (I am neither, it should be said. I’m a returning hack who has taken 18 months out of a journalism career to run a family business, and is looking to return to freelancing.)

I posted the video here, stuck a version on Youtube, and Tweeted about it. And then things took off. It was re-tweeted (copiously, as the character in the vid says) and ended up on the front pages of a few fairly influential blogs in the social media sphere. By lunchtime today, it should be at around the 20,000-view mark.  Not bad for something cobbled together in 30 minutes at zero cost.

The way the video has taken off reiterates its core message. Social media is, for the most part, free and easy to use. If you’re creative with your message, and you can put something together that strikes a universal chord, there’s every chance it will take off and give you coverage beyond your wildest dreams. When everyone’s using the same media, the message becomes all-important.

There are some ‘tricks’ to using social media to best effect, for sure, but there’s no magic circle who own the secrets. For the most part, using social media is the same as anything else – quality makes its mark. Practice makes perfect. Produce the goods and people will take notice. Have faith in your own ability and be prepared to get it wrong before you get it right. (If you need another paragraph of motivational buzzwords call your local social media guru. Please have your credit card details ready.)

The fact that people around the world (Ireland, Australia, New Zealand, London, New York and San Francisco) all claim to ‘know’ the social media guru in my little video shows that the message was clear and universal. No consultants were hired to assist or advise in its production.

Incidentally, I have a pretty good strike rate with slapdash script-writing. The last script I wrote was a ten-minute sketch performed the next day in front of about 400 journalists at the 2005 annual NUJ conference in Scarborough. I wrote a parody of the entire conference, with parts for around ten members of the student delegation, and played the outgoing NUJ president myself. We got a two-minute standing ovation and I was offered a job on the spot.

Basic Branding 101

brandingAdam Westbrook is two posts deep into his 6X6 series for journalists, six posts with six tips in each on a particular theme to help journalists kickstart their careers in a new multimedia environment.

The first post, on branding yourself, carries some simple, universal rules that should apply to  international entities as well as they do to individual journalists.

Two stand out.

One is ‘own your name’, (Says Westbrook: “As a freelancer especially, your brand is your name. Therefore you need to own your name, especially in cyberspace. You should try and own your domain name (www.yourname.com or www.yourname.net or www.yourname.co.uk).  If you’re running yourself as a business with its own name that’s OK too.”)

The other is ‘keep your networks consistent’.

Combined, the two of these make perfect sense, and they are obvious first steps for anyone looking to sell any service, or themselves. Keep your message unified and strong. If you look for me online, you’ll find the following.

www.markhamnolan.com

www.facebook.com/markhamnolan

www.twitter.com/markamnolan

www.linkedin.com/in/markhamnolan

www.wiredjournalists.com/profile/markhamnolan

However, plenty of companies are hurrying to establish an online presence nowadays, and in the haste, there’s often waste. Enthusiasm means the brand guidelines, if they even exist, often get thrown out the window in a spree of social media excitement.  But, before running out into the social media sphere and grabbing whatever you can, these rules are worth repeating time and time and time again so that you don’t forget, and don’t end up having to backtrack:

Know what your external name is going to be, strive to own it, and then keep it consistent.

A recent example jumped out at me – think of it as food for thought:

www.bordbia.ie

www.pix.ie/bordbia

www.twitter.com/anbordbia

www.facebook.com/pages/Bord-Bia-Irish-Food-Board/82897438833

All starts well, but then in creep the inconsistencies. Is the brand called ‘Bord Bia’,  ‘An Bord Bia’ or ‘Bord Bia Irish Food Board’?

Now, note that this is not just a national brand with an identity crisis, this is also a national agency that is advising food producers on marketing their brands through their own brand forum and marketing fellowship.

When farmers brand their cattle, they use the same, easily identifiable hot iron to make the same identifiable mark on every single animal they own. The word ‘brand’ made its way into commerce for a reason, people. Your web identities are your prize cattle.